Sometimes I write some tips for artists, but it occurred to
me today that tips for artists are really tips for anyone who looks at
art. We can appreciate images more when
we understand more of what the artist intended. The week's prompt is "5". I'm pretty sure everyone sees and
understands 5 hash marks here. Maybe
you notice I put 5-petaled flowers in the background. Extra points if you notice the vertical lines are also in
clusters of 5. Each element reinforces
the message 5 and adds more visual interest for the viewer.
In 1793, Jacques-Louis David painted "La Mort de
Marat" (The Death of Marat). In
some ways, it looks like a comparatively simple painting for David. The image is powerful, even if we don't know
the first thing about Marat. However,
this painting speaks across language barriers and our ignorance.
Forget everything anyone else has ever taught you about
looking at art. What do you see? How do you feel? Whatever any of the professionals tell you, how you feel about a
piece of art is the final word about whether or not a painting is great or not.
Once you've acknowledged your emotional reaction to the
painting, consider the points I made about my 5 brushes. Even though I assume you don't know who
Marat was, do you see repeated themes in the painting that are giving you
clues? I would guess that you notice
multiple papers, ink, and quills.
Perhaps your eyes go to the large background? Maybe you notice the drapery falls as the hero's arm is
falling? The bloody knife is on the floor
while the dying man's hands hold a paper and a pen; this isn't a suicide.
Let me tell you that Marat was a radical journalist during
the French Revolution. Now what do you
think? Does it change how you feel
about the painting? I can also tell you
he was an ugly man with a debilitating skin condition which caused him to wrap
vinegar saturated cloth to his head while he soaked in medicinal baths. A board was placed on the tub so he could
continue writing. Charlotte Corday, a
royalist woman, stabbed him for his political activism. She was tried and executed for the murder.
Considering Marat was a remarkably unattractive man, David
gave him a hero's death. He used the
traditions of Jesus and the saints' martyrdoms for a journalist with serious and
smelly health problems. The drapery
falls with the dying man's arm. The
light and shadows move forward. So much
is expressed in such a beautiful way, for a crime scene which was anything but
beautiful.
For artists, this painting is also a reminder not to get too
trapped by reality. David was true to
life in setting the scene by using the green cloth and the packing box by the tub,
but his idealism created an image far different than an ugly man dying in a bloody
tub. We're reminded of what the man did
in his life.
What do you want to convey?
How can you use repetitions of a theme to carry your message?
Thanks, Linda. That was an interesting lesson. I'd never heard of Marat or the painting, and yah, I thought suicide :P.
ReplyDeleteWhat I like about looking at artwork is the difference it has from other creative forms. A song, movie, play, or a piece of writing is fed to me in the order the author intended. In paintings, drawings, or sculptures, we choose what we focus on and when.
I had to stretch back to my college days of Art History classes for this one, but this image has stayed with me through all those years. I count that as a sign of a good painting. You make an interesting point about how the other art forms feed us the order of our observations. Hmmm. Something to think about :)
ReplyDeleteLinda, I enjoyed you talking me through the history and aesthetics of this painting. Thank you!
ReplyDeleteHappy to do it. I've enjoyed the lessons you've shared too Paula!
ReplyDeleteVery interesting. I'm going to enlarge the painting and have a better look...
ReplyDeleteI wish I could go to Europe and see it life-sized :)
ReplyDeleteAn excellent analysis of "La Mort de Marat". I always love art that has more to it than just a superficial and one-dimensional expression.
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